The Fireflies Beyond the Walls
I arrived in Nomaglio with my van. Waiting for me was the owner of the house, my housemate for the next few weeks.
The house was in the center of the village, a special place with the typical style of mountain towns. But the most beautiful part was her land, located just above the Via Francigena. It could be reached by crossing a forest and overlooked the Ivrea valley.
The First Days
The first days were a bit complicated while figuring out how to manage the internet. I had to hang my phone in specific spots around the house to get a stable connection. But once I settled into work, I could really start enjoying that amazing place.
My housemate was an amazing woman, very friendly and deeply connected to nature. Every evening she kept me company on her land, and I helped her take care of it. It was a perfect way to disconnect from the computer work and reconnect with the earth.
The Fairy Disco
Every day, walking back to the house through the forest, fireflies were waiting for me.
I hadn't seen them for at least twenty years. A sign of a healthy environment, free from pollution and artificial light.
But even though we were fascinated and almost hypnotized by what I called "the fairy disco," we often heard wild boars in the twilight hours, so we had to rush back home.
The fireflies also appeared by the lakes near Ivrea, with a fantastic view of the castle and the surrounding mountains. I managed to swim several times in those lakes and rivers, deeply refreshing, surrounded by greenery and silence.
The Mountains
With my housemate, some of her friends, and local people, we went on amazing hikes in the mountains, through very characteristic villages in the Aosta Valley. I also got to taste ice cream from what I call "happy cows," and I happily ate polenta in various mountain refuges.
I was especially impressed by the village of Chemp, where an artist carved sculptures every day, bringing life back to this almost abandoned place.
For a weekend, my friend Anna came to visit me, and I was able to share these amazing places and our beloved fireflies with her. I finally used the van with her as well, placing inside the mattress I had bought.
Hidden Symbols
With my housemate, I had the chance to explore topics like esotericism and Freemasonry, something I had never been interested in before. She introduced them to me directly, showing me symbols found in various buildings, churches, and books.
It was striking to see how, in one of these villages, the facade of a church filled with demons and scenes of the Last Judgment stood right in front of a children's playground.
I also began to notice unusual sensations while walking, as if my body reacted differently to certain places. I wondered whether this might be related to wearing barefoot shoes, without electrical insulation, for grounding. I questioned whether it could have something to do with direct contact with the ground.
I know many people may not believe these things. I didn't believe them either at the time, and I'm not even sure now. They were simply sensations I felt, vibrations in my feet while walking, that seemed to warn me whether a place had positive or negative energy.
And what was striking was realizing, together, that in places unknown to both of us, we would find signs that seemed to confirm my intuition about the energy of a place.
The Celtic Cemetery
The sensation I had on a mountain path with a stone wall was almost hypnotic. I stood completely still: I couldn't move my right foot, as if a magnet, a large yellow stone, was holding it in place. While she was talking, I no longer remember about what, she noticed I had stopped moving. I explained what I was feeling.
She told me that in the past she had found, together with a friend of hers, if I remember correctly an archaeologist, Celtic runes in that very area. It was likely a Celtic burial site.
Nearby there was a church in the forest, without any proper path leading to it. It stood there with a very ancient fresco and rather unusual symbolism, which gave us a strange impression and fed some unsettling ideas we had about the village of Nomaglio and its long-lived inhabitants.
I don't want to sound conspiratorial, but it was truly striking to approach all of this and become aware that there are systems we don't understand, systems that may control or guide us in ways we don't fully see. I don't know. But it feels important at least to be aware that they might exist.
The Hamster Wheel
This awareness made me reflect deeply on modern slavery, what she calls "the hamster wheel."
We often live for work. Work that is necessary for housing, bills, and both basic and non-basic needs. A cycle that makes us live every day working for someone else's enrichment, waiting for those two or three weeks of vacation to "really live." But most of the time, those weeks become ordinary tourist trips where we don't truly experience the places we visit for what they are.
This reflection gave me a strong awareness that I still carry with me today, and that I am trying, day by day, to turn into action.
Stepping Outside the System
I'm not trying to escape the system completely or radically. That's not the point.
The point is not feeling like its prisoner.
It is understanding that life is not just about waiting for holidays. That work should not consume all your energy, leaving only weekends to breathe. That maybe, just maybe, there is another way of living.
And that this different way is not an unreachable utopia. It is a choice. Small, daily, but constant.
Choosing where to live. Choosing how to work. Choosing when to stop and watch fireflies instead of running toward the next deadline.
In Nomaglio, between the forest, the fireflies, the hidden symbols, and those conversations, I realized one thing: freedom is not stopping work. It is not letting work define you. It is pausing in silence and realizing that, somewhere, fireflies still exist.
It was also during that month that the idea of The Nomad Upupa was born: a space to collect experiences, thoughts, and fragments of life away from the logic of social media in real time. A way to return to things with more calm, let them breathe, give meaning to what I live, and not let it simply slip away. Maybe, deep down, it was another attempt to step outside certain invisible barricades.
📻 Soundtrack
📻 Colonna Sonora

🎵 Caricamento...
YouTube Music
I chose Barricades, from the soundtrack of the Japanese anime Attack on Titan, because it speaks about freedom, but not in a romantic or superficial way. It speaks about the price to pay to break through one's barricades, both mental and otherwise.
In Attack on Titan, freedom is always something complex: it is not just escaping the walls, but facing what lies beyond them, with all the consequences that come with it.
In Nomaglio, I began to see those barriers within myself, and especially the almost invisible ones around me, within the system I live in, wondering whether I was truly willing to let them go.